AI Video Creator vs Traditional Video Editing

Executive Summary: The Democratization of B-Roll and the Rise of the Hybrid Workflow
The video production industry in 2025 stands at a critical juncture, comparable to the transition from physical celluloid to Non-Linear Editing (NLE) systems in the 1990s. The emergence of generative AI video models—specifically Large Multimodal Models (LMMs) like OpenAI’s Sora 2, Google Veo, and Runway Gen-3—has precipitated a crisis of definition for the role of the video editor. Marketing directors, content strategists, and production houses are currently navigating a chaotic landscape defined by a single, overriding economic question: Does the efficiency of generative AI outweigh the loss of human nuance?
This report posits that the prevailing narrative of "displacement"—that AI will simply replace human editors—is fundamentally reductive. Instead, the data suggests a shift toward a Hybrid Workflow, where AI democratizes high-fidelity B-roll and automates the invisible labor of post-production (rotoscoping, rigorous logging, and basic assembly), while simultaneously increasing the premium on human-led narrative architecture, emotional pacing, and brand stewardship.
For decision-makers, the "impossible math" of AI is seductive. A traditional corporate video shoot, burdened by crew day rates, equipment rentals, and logistical overhead, typically costs between $1,000 and $5,000 per finished minute. In contrast, AI video generators in 2025 offer a theoretical cost-per-minute of $0.50 to $30, driven by subscription models and token-based compute credits. However, this surface-level analysis ignores the "Uncanny Valley Tax"—the hidden operational costs associated with mitigating hallucinations, correcting physics violations, and upscaling low-bitrate generative outputs to meet broadcast standards.
Through an exhaustive analysis of technical specifications, economic models, and labor market trends, this report establishes that AI is not yet "broadcast ready" as a standalone solution for premium narrative content. It lacks the temporal coherence, physics simulation, and emotional logic required for high-stakes storytelling. However, as a supplementary tool within a "Sandwich Method" workflow—where human intent brackets generative execution—it offers efficiency gains of 20-70%. This document serves as a pragmatic, data-backed guide for stakeholders to navigate this transition, moving beyond the hype to actionable integration strategies.
1. Introduction: The Video Production Paradigm Shift
The history of video editing is a history of abstraction. In the era of the Moviola, editing was a physical act of cutting and splicing celluloid. The digital revolution of the 1990s abstracted this into metadata on a timeline. Today, Generative AI is attempting the ultimate abstraction: removing the need for the source footage itself.
The $5,000 vs. $30 Discrepancy
Consider the resource allocation required for a standard 10-second "establishing shot" of a futuristic, neon-lit city street for a tech product launch.
The Traditional Path: This shot would require either a location scout and a film crew operating at night (incurring overtime and permits) or a VFX team building a 3D environment in Unreal Engine or Blender. The former involves logistical hurdles like craft services, insurance, and weather contingencies; the latter involves weeks of modeling, texturing, and rendering. The conservative cost estimate for this single asset ranges from $5,000 to $15,000 depending on the production value.
The AI Path: In 2025, a prompt entered into Runway Gen-3 or Sora 2—"Cyberpunk city street, wet pavement, neon reflections, cinematic lighting, 35mm lens, slow dolly forward"—generates four variations in under 90 seconds. The cost, based on standard subscription token consumption, is approximately $0.50.
This price disparity—a difference of four orders of magnitude—is the engine driving the current disruption. However, price is not value. The $30 AI clip often arrives with artifacts: a car moving sideways, text on a billboard that reads as alien glyphs, or a pedestrian walking through a wall. The $5,000 traditional shot guarantees physical reality and logical consistency. The challenge for the modern producer is determining when the $30 clip is "good enough" and when the $5,000 shot is non-negotiable.
Thesis: The Democratization of B-Roll
The core thesis of this investigation is that AI is effectively commoditizing B-roll. In traditional editing, B-roll (supplementary footage used to illustrate the voiceover) consumes a disproportionate amount of budget and time. By automating the creation of these visual assets, AI shifts the editor's role from "hunter-gatherer" of footage to "curator" of infinite possibilities.
This shift automates the tedious 80% of production—finding stock footage, basic color correction, audio noise reduction—and leaves the top 20% of value creation for the human professional. This top 20% consists of Context, Subtext, and Pacing—the elements that turn a sequence of images into a story. As such, the industry is not witnessing the death of editing, but its evolution into Content Architecture.
2. Cost & Time Efficiency: The "Impossible" Math of AI
To understand the strategic implications of adopting AI video tools, one must look beyond the marketing hype of "text-to-video" and analyze the granular economics of production workflows in 2025.
The Economics of Production
The cost structures of traditional video production have remained relatively inelastic over the last decade, driven by the fixed costs of skilled labor and physical equipment. Conversely, the cost of generative video is following Moore's Law, becoming cheaper and more efficient with each model iteration.
Traditional Production Cost Breakdown (2025-2026)
Professional video production is often perceived by clients as a "black box" of expenses. A detailed audit of a typical corporate video budget reveals why costs remain high :
Pre-Production ($1,000 - $4,000): This phase is labor-intensive. Scriptwriting alone typically commands fees between $500 and $1,500. Concept development, storyboarding, and casting require 2-5 days of paid time for a producer and director.
Production ($1,500 - $8,000 per day): The physical shoot is the most capital-intensive phase.
Director: $800 - $2,500/day.
Cinematographer (DP): $600 - $1,500/day.
Sound Recordist: $350 - $600/day.
Equipment: A standard cinema camera package (e.g., ARRI Alexa or RED Komodo) plus lighting and grip gear rents for $500 - $2,000/day.
Post-Production ($400 - $600 per day): Editing, color grading, and sound mixing typically consume 30-40% of the total budget. Motion graphics and 3D animation are billed at premiums of $100 - $300 per hour.
Hidden Traditional Costs: These are the "friction" costs of reality. Location permits ($200-$2,000), insurance, craft services (feeding the crew), travel, and parking add zero creative value but are mandatory for operation.
Total Estimated Cost for a 2-Minute Corporate Video: $13,000 - $20,000.
AI Generative Cost Structure
The economic model of AI video is based on Compute-as-a-Service (CaaS). It replaces day rates with subscription tiers and credit usage.
Subscription Models:
Entry Level (Free/Starter): Platforms like Kling and HeyGen offer free tiers, but they are generally unusable for professional work due to watermarks and low resolution (720p). Starter plans range from $24 - $30/month, offering ~3-5 minutes of video generation.
Pro/Team Tiers: To access "broadcast" specs (1080p/4K, no watermarks, commercial rights), users must subscribe to tiers costing $60 - $100/month. For example, Runway’s Unlimited plan is ~$76/month.
Enterprise: Large brands require SOC 2 compliance and custom avatars, leading to negotiated contracts that can cost thousands annually but still average down to pennies per minute compared to filming.
Cost Per Minute: The effective cost per minute of finished AI video ranges from $0.50 to $30. The variance depends on the "Reroll Rate"—how many times a prompt must be regenerated to get a usable clip. Even at the high end, this represents a 99% reduction in direct costs compared to traditional production.
Table 1: Comparative Cost Structure (2025 Estimates)
Cost Component | Traditional Production (2-min Corp Video) | AI-Generated Production (2-min Corp Video) | Delta |
Pre-Production | $2,500 (Script, Logistics, Casting, Location Scouting) | $200 (Prompt Engineering, Asset Prep, Midjourney Storyboards) | -92% |
Production | $6,000 (2 Days Shoot, Crew, Gear, Insurance, Permits) | $100 (Compute Credits, Subscription, High-Res Upscaling) | -98% |
Post-Production | $3,000 (Editing, Grading, Audio Mixing) | $1,500 (Human Review, Artifact Fixes, Assembly, Sound Design) | -50% |
Hidden Costs | $1,500 (Catering, Travel, Weather Delays) | $300 (Uncanny Valley Fixes, Software Subscriptions) | -80% |
Total Estimated | ~$13,000 | ~$2,100 | -84% |
Time to Market | 3-4 Weeks | 3-5 Days | ~80% Faster |
The "Hidden Costs" of AI: The Uncanny Valley Tax
While Table 1 suggests a landslide victory for AI, the operational reality introduces a new set of inefficiencies known as the "Uncanny Valley Tax." This refers to the labor and resources required to elevate AI-generated footage from "impressive for a computer" to "acceptable for a human audience."
The Reroll Factor: Unlike a camera, which captures reality faithfully, AI models operate on probability. A prompt for "a CEO walking through a warehouse" might yield a video where the subject has six fingers, the text on the boxes is gibberish, or the lighting direction shifts mid-shot. Creators often generate 10-20 variations to find one usable clip. If a generation costs $1 in credits, the actual cost of a usable clip is $20, not $1. This trial-and-error process burns both budget and time.
Fixing Artifacts: Generative video is prone to temporal artifacts—jitter, morphing textures, and "boiling" backgrounds. Fixing these requires specialized post-production work. Editors must use tools like DaVinci Resolve’s Patch Replacer or After Effects’ Content-Aware Fill to clean up the footage. This shifts the budget allocation from "Production" (shooting) to "Post-Production" (fixing), effectively turning video editors into VFX artists.
Lack of Audio Fidelity: While newer models like Kling 2.6 and Google Veo utilize "video-to-audio" technology to generate sound effects, the quality often lacks the dynamic range, spatial accuracy, and distinct clarity of professional field recording. This necessitates additional spending on stock audio libraries or sound designers to "sell" the visual reality.
Speed to Market: Weeks vs. Hours
The most significant and unassailable advantage of AI is velocity. A traditional shoot requires lead times for scheduling crew, securing locations, and weather contingencies.
Traditional Turnaround: A standard corporate project typically follows a linear timeline of 4-6 weeks. Week 1: Concept/Script. Week 2: Logistics/Casting. Week 3: Shoot. Weeks 4-6: Edit, Color, Sound, Revisions.
AI Turnaround: Case studies from major platforms validate massive speed increases. Superside reported efficiency gains of 20-70% in creative workflows by integrating AI. Vimeo executives noted that AI tools streamlined the ideation and rough-cut phases significantly. By using AI for storyboarding, script drafting, and generating B-roll, the timeline compresses to days, allowing brands to react to market trends in near real-time.
Strategic Implication: For "perishable" content—social media trends, news reactions, and internal communications—the speed of AI outweighs its quality deficits. For "evergreen" brand assets (TV commercials, Brand Anthems), the traditional quality assurance is worth the time investment.
3. Quality Wars: Creative Control vs. Generative Chaos
The debate between AI and traditional workflows is fundamentally a trade-off between exactitude and speed. Traditional cameras capture physics; AI models simulate it. This simulation gap defines the current "Quality War."
The "Human Touch" and Emotional Resonance
Cinema is a language of subtext and empathy. Human editors do not just cut for continuity; they cut for feeling. The legendary editor Walter Murch famously devised the "Rule of Six," which prioritizes Emotion above all else—stating that 51% of the value of a cut is its emotional truth, far outweighing spatial continuity or 3D space.
Pacing and Rhythm: AI algorithms can detect scene changes and cut on the beat of a music track, but they struggle to cut on a realization. A human editor knows to hold a shot of a character’s face for an extra second to let a subtle shift in eye line register with the audience. This "breathing room" creates emotional weight. In the documentary Porcelain War, the editing structure was dictated by the "emotional whiplash" of the subjects' lives—shifting between terror and creation. This requires an understanding of the human condition that current LMMs lack.
Satire and Nuance: AI struggles with complex emotional tones like irony or satire. The failure of McDonald's Netherlands' AI-generated holiday ad demonstrates this limit. The ad was intended to be whimsical but was perceived by audiences as "creepy," "depressing," and "soulless" because the AI could not navigate the subtle boundary between nostalgia and the uncanny.
Performance Direction: A human director can coach an actor to deliver a specific micro-expression (e.g., "smile, but with sad eyes"). AI generators struggle to capture this biological dissonance. They tend to prioritize surface-level attributes (Color > Size > Velocity > Shape) over emotional subtext, often resulting in "dead-eyed" characters that fail to connect with viewers.
Consistency and Brand Safety
For enterprise brands, consistency is paramount. A logo must look identical in every frame; a brand ambassador cannot change height or ethnicity between shots. This is the "Achilles' Heel" of current generative video.
Hallucinations and Object Permanence: AI models struggle with object permanence. A phenomenon known as "Schrodinger's Truck" occurs in models like Sora and Gen-3, where a vehicle might change make, model, or wheel count as it moves across the frame. ByteDance research indicates that video diffusion models do not "know" Newtonian physics; they memorize visual transitions, leading to "floaty" motion and inconsistent geometry.
The "Slop" Backlash:
Under Armour: The 2024 AI commercial featuring Anthony Joshua faced severe backlash for being "soulless" and reusing human-shot footage without proper credit. Brand sentiment dipped significantly (from ~31% positive to ~16% positive), proving that audiences are sensitive to "lazy" AI usage.
Toys "R" Us: The Sora-generated brand film was criticized for its "uncanny" visuals and lack of genuine connection, highlighting that nostalgia is difficult to synthesize. While it generated PR, the verdict was that the technology is not yet ready to carry an emotional narrative on its own.
Coca-Cola: The "Holidays Are Coming" reboot suffered from glitchy visuals (morphing trucks), damaging the emotional legacy of a decades-old campaign. The backlash emphasized that using algorithms to rewrite legacy brand assets risks destroying decades of emotional equity.
The Verdict: AI is currently "unsafe" for high-stakes brand assets where visual consistency equals brand trust. It is, however, highly effective for abstract, stylized, or rapid-fire social content where "glitch" can be an aesthetic choice or where the viewer's attention span is too short to notice minor artifacts.
4. The Tool Landscape: Generators vs. NLEs
The market is currently bifurcated into "The Creators" (Generative AI models) and "The Editors" (Non-Linear Editing systems integrating AI). Understanding the technical capabilities—and limitations—of each is crucial for building a viable workflow.
Leading AI Video Generators (The "Creators")
The 2025 generative video market is dominated by a few key players, each with distinct technical strengths and target use cases.
Table 2: Top AI Video Generators Technical Specs (2025)
Model | Max Resolution | Max Duration | Strengths | Weaknesses | Best Use Case |
Google Veo | 4K (Paid) | ~8s (extendable) | Photorealism, physics simulation, integrated audio. Trained on YouTube data for high cinematic understanding. | Shorter clip length initially; often waitlisted. | Cinematic B-roll, realistic environments, high-end VFX elements. |
OpenAI Sora 2 | 1080p (Standard) | 25s | Narrative complexity, multi-shot coherence, complex character actions. | No native audio in some modes; high bitrate but standard codecs (H.264); limited export formats. | Storytelling, complex character interactions, rapid prototyping. |
Runway Gen-3 Alpha | Upscaled 4K | 10s (extendable) | "Motion Brush" allows selecting what moves (e.g., "move the water, not the trees"). Diverse artistic styles. | Credit-heavy for high-res output. 4K is often upscaled from lower resolutions. | Abstract visuals, music videos, surrealism, VFX elements. |
Kling 2.6 | 1080p (Pro) | ~5s - 3 min | Excellent character consistency and human motion. Native audio generation. High frame rate support (up to 30fps). | 4K is upscaled; slower generation times for high quality. | Character-driven clips, social media shorts, lip-syncing sequences. |
HeyGen | 4K | Variable | Best-in-class Lip-Sync and Avatars. Seamless translation and personalization. | Static camera work; limited "cinematic" motion capabilities. | Corporate training, explainers, personalized sales outreach. |
Key Technical Insight: While "4K" is often marketed, many generators output 1080p which is then upscaled. True broadcast-quality 10-bit 4:2:2 color depth is rare in direct AI output, often necessitating post-production grading and cleanup to match professional camera footage.
Traditional Powerhouses (The "Editors")
Traditional NLEs are not dying; they are evolving. By integrating AI features, they are positioning themselves as the "refining fire" through which raw AI content must pass to become professional.
DaVinci Resolve 19 (Blackmagic Design): The industry standard for color grading has aggressively integrated AI via its Neural Engine.
Magic Mask: Automatically isolates subjects (people, cars, animals) for color grading or effects. This task used to require hours of manual rotoscoping.
Voice Isolation: Uses AI to clean up noisy audio instantly, salvaging dialogue recorded in poor conditions.
IntelliTrack: A new AI point tracker for stabilization and audio panning that tracks objects automatically across frames.
Adobe Premiere Pro 2025: Adobe has focused on workflow acceleration and commercial safety.
Generative Extend: Powered by the Firefly Video Model, this feature allows editors to drag the end of a clip to add 2 seconds of AI-generated footage. This fixes one of the most common editing problems: running out of footage for a transition or audio beat. Crucially, Firefly is trained on Adobe Stock, making it commercially safe for enterprise use.
Text-Based Editing: Transcribes footage, allowing editors to cut video by deleting text in a transcript window, drastically speeding up the "radio edit" phase.
Strategic Distinction: NLEs use AI for optimization and repair, whereas Generators use AI for creation. The professional workflow leverages both: creating raw assets in Generators, then refining, assembling, and polishing them in NLEs.
5. The New "Hybrid" Workflow: How to Integrate Both
The "Hybrid Workflow" is the pragmatic bridge between the chaos of generation and the discipline of professional editing. It treats AI not as a replacement for the camera, but as a source of raw material—a "virtual camera"—which must then be processed through a rigorous post-production pipeline.
The "Sandwich Method"
This workflow is critical for maintaining brand equity and narrative control. It layers human intent around AI execution, ensuring that the "soul" of the video remains human while the "body" is enhanced by AI.
Layer 1: Human Intent (Pre-Production):
Storyboarding/Animatics: Use tools like Storyboard Hero or image generators (Midjourney) to visualize the shot list. This reduces pre-production costs by 60-80%.
Human Capture (A-Roll): Film the core message—interviews, product hero shots, and specific acting performances—using real cameras. This captures the micro-expressions, biological nuances, and "Duchenne markers" (genuine smiles) that AI misses.
Layer 2: AI Generation (Production/Enhancement):
AI B-Roll: Generate atmospheric shots (e.g., "city at night," "abstract data flow," "molecular close-up") using Runway or Veo to fill gaps in the edit.
Set Extension: Use Adobe's Generative Fill or Firefly to expand the edges of a real shot, turning a small studio into a vast warehouse or adding a scenic background to a green screen shot.
ControlNet/Reference: Use ControlNet in workflows (like ComfyUI) to force AI to respect the geometry of a product or the composition of a human-shot frame. This prevents the "hallucination" of brand assets.
Layer 3: Human Refinement (Post-Production):
Compositing & Grading: Import all assets into DaVinci Resolve. Use Magic Mask to blend real actors into AI backgrounds seamlessly.
Artifact Repair: Apply Boris FX Continuum or Optical Flow to fix jittery AI motion or dropped frames. Tools like Frame Fixer ML can reconstruct damaged frames.
Final Polish: Color grade all footage (AI and Real) in a unified color space (ACES) to ensure they look like they belong in the same universe.
Technical Workflow: Making AI Broadcast Ready
AI video typically outputs as highly compressed MP4s (8-bit, 4:2:0 color space), which falls short of broadcast standards. Integrating this with professional Alexa or RED footage (12-bit, 4:4:4) requires a specific technical pipeline.
Transcoding: Immediately transcode AI outputs to an intermediate codec like ProRes 422 HQ or DNxHR. This prevents generation loss during editing and allows for better color grading performance. AI footage is fragile; editing it in its native H.264 format often leads to macro-blocking artifacts.
Upscaling & Sharpening: Use Topaz Video AI or DaVinci’s SuperScale to upscale 1080p AI clips to 4K. This adds simulated detail and reduces the "mushy" look of low-bitrate generation.
Frame Rate Conversion: AI videos often have variable or non-standard frame rates. Use Optical Flow in Resolve to conform them to a standard broadcast rate (e.g., 23.976 or 29.97 fps) to avoid stutter. Speed Warp is the preferred setting for smooth motion estimation.
Color Management (ACES): Use the Academy Color Encoding System (ACES) in Resolve. Map the AI clips (usually Rec.709) into the ACES pipeline. This ensures that when you grade, the AI footage reacts to light and color adjustments in a way that mathematically matches the high-end camera footage.
AI as the "Junior Editor"
Beyond generation, AI tools in NLEs act as a tireless assistant, automating the "drudgery" of editing.
Logging and Transcription: AI transcribes hours of interviews, allowing the human editor to find the perfect quote in seconds ("Text-Based Editing"). This transforms the "paper edit" into a real-time process.
Rough Cuts: Tools like Recut or Auto-Pod can automatically remove silence, "umms," and pauses from podcasts or interviews, creating a rough string-out in minutes rather than hours.
Object Removal: "Magic Eraser" style tools can remove boom mics, coffee cups, or unwanted pedestrians from shots—a task that previously required frame-by-frame cloning or complex VFX work.
6. Decision Matrix: Which Approach Fits Your Project?
Not every project requires a film crew, nor is every project suitable for AI. The following matrix provides a strategic guide for resource allocation based on project goals, budget, and risk tolerance.
Table 3: Production Approach Decision Matrix
Project Type | Recommended Approach | Rationale | Recommended Tools |
Social Media Trend / Meme | AI-First | Speed is critical (hours not weeks). Audience has high tolerance for "glitch" aesthetics. Low budget. | Kling, Runway, CapCut, TikTok AI effects. |
Internal Training / FAQ | AI (Avatars) | Information density is high; visual flair is secondary. Tools like HeyGen allow for easy updates to scripts without reshooting. | HeyGen, Synthesia, Descript. |
Product Launch / Commercial | Traditional (with AI VFX) | Product fidelity must be 100%. "Hallucinating" a product feature (e.g., a port on a laptop) is false advertising. Use AI for backgrounds only. | ARRI/RED Cameras, Resolve, After Effects, ControlNet. |
Brand Anthem / Storytelling | Traditional | Requires emotional nuance, subtext, and human connection that AI cannot synthesize. Brand safety is paramount. | Traditional Crew, Premiere Pro, DaVinci Resolve. |
Explainer / B2B Marketing | Hybrid | Human voiceover/host builds trust. AI is used for abstract visualizations of concepts (e.g., "cloud computing," "data security") that are hard to film. | Human Host + Sora/Veo B-roll + Motion Graphics. |
Documentary / Journalism | Hybrid | Human interviews (A-Roll) are essential for truth and ethics. AI can recreate historical scenes or abstract concepts, provided they are clearly labeled. | Human Interviews + AI Reenactments (Labeled). |
7. Future Outlook: Labor, Ethics, and Evolution
The integration of AI is precipitating a labor shift comparable to the transition from physical film splicing to digital non-linear editing. The "Man vs. Machine" narrative is giving way to a "Human-in-the-Loop" reality.
Job Market Impact: The Rise of the "Content Architect"
The role of the "Video Editor" is evolving into that of a "Content Architect" or "Generative Content Strategist". The value of knowing how to cut is decreasing; the value of knowing why to cut—and what to generate—is increasing.
Skill Shift:
Yesterday: Shortcuts, Codecs, File Management, Render Settings.
Tomorrow: Prompt Engineering, Model Fine-tuning, API integration, Creative Direction, Curation.
Employment Trends: Bureau of Labor Statistics and industry reports suggest a bifurcation. "Low-end" editing jobs (simple cuts, social clips, basic assembly) are at high risk of automation. However, "high-end" jobs (narrative, complex compositing, creative direction) will see productivity gains but stable employment. The demand for high-quality content is growing, and while AI automates the creation of assets, it creates a bottleneck for curation, which remains a uniquely human skill.
The Ethical and Labor Landscape (IATSE & Unions)
Unions are actively establishing guardrails to protect human labor while acknowledging the inevitability of the technology. The 2024 IATSE Basic Agreement includes specific provisions regarding AI:
Training & Skills: Producers are encouraged to provide training for crews to learn new AI tools, ensuring the workforce transitions with the tech rather than being replaced by it. The focus is on upskilling members to operate "AI Systems" associated with their classification.
Human-In-The-Loop: The consensus among guilds (Editors Guild, WGA) is that AI should be a tool for the artist, not a replacement. There is a strong push to ensure that "human" work is defined and protected, particularly regarding credit and compensation. The "Content Architect" role aligns with this, positioning the human as the master of the machine.
Commercial Safety and Copyright: Enterprise clients are wary of copyright lawsuits. Adobe's Firefly model, trained on licensed stock content, is positioning itself as the "safe" alternative to models trained on scraped internet data (like Sora). This "clean data" approach is becoming a requirement for major studio and agency contracts.
Conclusion: The Era of Curated Abundance
The "Man vs. Machine" debate is a false dichotomy. The 2025 landscape is defined by synergy. AI has successfully democratized the resources of production—making a $50,000 shot cost $0.50—but it has not democratized the craft of storytelling.
The "Hybrid Workflow" leverages the best of both worlds: the infinite, low-cost generative capacity of the machine and the discerning, empathetic, and strategic eye of the human editor. For the marketing director or business owner, the strategy is clear: Use AI to build the world, but use humans to tell the story. We are moving from a world of scarcity (where every second of footage costs thousands) to a world of abundance (where footage is cheap, but curation, coherence, and truth are expensive). The editor's new job is to bridge that gap, acting as the architect of a new, hybrid reality.


